Avainsana: "elokuva"

Elokuvallisia huomioita maailmalta 27.01.2016 – 13.02.2016

Elokuvallisia huomioita maailmalta 27.01.2016 – 13.02.2016

13.2.2016 0 comments
Tammikuiset Twitter-tiivistelmät elokuvista

Tammikuiset Twitter-tiivistelmät elokuvista

Yhteensä 10 elokuvaa.

1.2.2016 0 comments
Elokuvallisia huomioita maailmalta 16.01.2016 – 21.01.2016

Elokuvallisia huomioita maailmalta 16.01.2016 – 21.01.2016

21.1.2016 0 comments
Elokuvallisia huomioita maailmalta 8.01.2016 – 10.01.2016

Elokuvallisia huomioita maailmalta 8.01.2016 – 10.01.2016

  • Browse Netflix by genre/director/keyword-hybrid
  • Browse Netflix by genre
  • My Accidental Career as a Russian Screenwriter – So I worked up the nerve to show the ‘‘Rushkin’’ script around. The reaction of the first executive who read it was something out of ‘‘Barton Fink’’ and roughly what I expected: ‘‘When you’re ready to make some real money,’’ he said, ‘‘bring me something about a cop or doctor.’’
  • The Women of Hollywood Speak Out – In both 2013 and 2014, women were only 1.9 percent of the directors for the 100 top-grossing films. Excluding their art-house divisions, the six major studios released only three movies last year with a female director. It’s hard to believe the number could drop to zero, but the statistics suggest female directors are slipping backward. Prof. Martha Lauzen of San Diego State University reports that in 2014, 95 percent of cinematographers, 89 percent of screenwriters, 82 percent of editors, 81 percent of executive producers and 77 percent of producers were men
10.1.2016 0 comments
Elokuvallisia huomioita maailmalta 30.12.2015 – 7.01.2016

Elokuvallisia huomioita maailmalta 30.12.2015 – 7.01.2016

  • “Looking for False Performance Beats”: Editor Fred Raskin on The Hateful Eight – The shoot was unique in that there were certain sequences which needed to be filmed while snow was falling. So the cast always had to be prepared to shoot any scene at any time, because if they got snow, they’d be shooting one scene, while if they didn’t, they’d be shooting another. Because of this, the cast really needed to be off-book once the shoot began. Everyone knowing the script that well gave Quentin the ability to shoot eleven-minute long takes if he wanted to, which ended up being great for the performances — I was watching some terrific theatre on a daily basis — and also informed some of the editing choices. If we had an amazing master of a scene playing out in the 2.76:1 aspect ratio, why would we want to cut away from it?
  • The Movie Mogul of the Middle
  • Levottomat, suullinen historia
7.1.2016 0 comments