Avainsana: "käsikirjoittaminen"

Elokuvallisia huomioita maailmalta 15.03.2014 – 22.03.2014

Elokuvallisia huomioita maailmalta 15.03.2014 – 22.03.2014

  • Post-Empire Strikes Back – DISCUSSED: Sodomania, A Bug’s Life, A Fictional Work of Fiction, Super-Subtle Intertextuality, Twitter, Picking Fights with Dead Guys, Fifty Shades of Grey, Movies Made by Committee, Ellisian Perversion, The Unsung Swordsman of the Year, Listless Southern California Girls, Striking a Pose and Holding It So the Terror Doesn’t Show, Batwing Lashes
  • David Bordwell on formalism: ”motivation gives the audience a reason to accept a formal option” – More broadly, motivation gives the audience a reason to accept a formal option. One of my favorite examples comes in Citizen Kane. Having decided to tell Kane’s story in flashbacks more or less chronologically, Herman Mankiewicz and Orson Welles confronted a problem in their frame story. After Kane’s death a reporter would naturally turn to his surviving second wife before contacting friends or associates. But if Susan recounted her memories of Kane before the other witnesses did, her episodes would come from late in his life and throw off the chronology. Therefore the script makes Susan too drunk and angry to talk to the reporter Thompson when he calls. He must proceed to the Thatcher library, where he’ll learn about Kane’s earliest years. Later, when Susan is more sober, she recounts her flashback in its proper, chronological place.
  • Bill Murray’s reddit AMA in a slightly more readable format
22.3.2014 0 comments
Elokuvallisia huomioita maailmalta 11.03.2014 – 12.03.2014

Elokuvallisia huomioita maailmalta 11.03.2014 – 12.03.2014

12.3.2014 0 comments
Elokuvallisia huomioita maailmalta 24.11.2013 – 25.11.2013

Elokuvallisia huomioita maailmalta 24.11.2013 – 25.11.2013

25.11.2013 0 comments
Elokuvallisia huomioita maailmalta 14.11.2013 – 16.11.2013

Elokuvallisia huomioita maailmalta 14.11.2013 – 16.11.2013

16.11.2013 0 comments
Elokuvallisia huomioita maailmalta 4.08.2013 – 5.08.2013

Elokuvallisia huomioita maailmalta 4.08.2013 – 5.08.2013

  • Damon Lindelof on Blockbuster Screenwriting – “Once you spend more than $100 million on a movie, you have to save the world,” explains Lindelof.
  • What It Was Like to Make The Canyons with Lindsay Lohan, a Producer’s Tale – The reality I experienced as producer of The Canyons was different than the emphasis of the New York Times article, which isn’t to say that events or facts relayed in the piece were untrue.
  • Alfonso Cuarón, International Man – Returning home allowed Cuarón to concentrate on one of Mexico’s peculiar contributions to cinematic technique, the plano secuencia—a long, traveling master shot, designed with complex camera moves, that effectively prevents the use of close-ups, inserts, and other forms of coverage. Cuarón calls them “one-shot deals,” and they figure heavily in Y Tu Mamá. “A close-up separates a character from its environment,” says Cuarón, “but in this film, character and environment are equally important; one is a product of the other. That’s why I opted to do one-shot deals all the time.”
5.8.2013 0 comments