- Cahiers du CinéMAD –
- Näin leikattiin Hilton! ja Kerron sinulle kaiken –
- How David Carr Became the Daddy of Girls – Koblin kirjoittaa nykyään Gawkeriin?
Elokuvallisia huomioita maailmalta 19.03.2013 – 20.03.2013
Elokuvallisia huomioita maailmalta 19.03.2013 – 20.03.2013
Elokuvallisia huomioita maailmalta 4.01.2013 – 5.01.2013
Elokuvallisia huomioita maailmalta 4.01.2013 – 5.01.2013
- Lick the Star (Sofia Coppola, 1998) – YouTube – Sofia Coppola's directorial debut. You can see the origins of her later feature films, which primarily deal with young girls trapped in gilded cages.
- Back to the Future II’s Terrible Newspaper –
- Movie Scenes of the Past in Real Life New York –
- Miesten välisiä keskusteluja – leikkaajan näkökulma –
- An Opinionated Guide to an Exhausting Year for Oscar Songs – Hulluja on monenlaisia: My conclusion after undertaking my annual quest to locate, listen to and write about every song deemed eligible for an Academy Award.
Elokuvallisia huomioita maailmalta 2.12.2012
Elokuvallisia huomioita maailmalta 2.12.2012
- Interview with screenwriter Ron Shusett –
- Laputa – Castle in the Sky: Characters in Different Lighting Situations – In many scenes, Laputa has the feel of an early Technicolor adventure film or a Disney feature like Peter Pan. One of Technicolor consultant Natalie Kalmus' most conspicuous rules was her demand for natural skin colors (what she believed to be the chief indicator of realism). By keeping the faces in natural tones color constancy perception made the saturated object colors of everything else in the picture stand out even more (which I believe highlights the constructedness of props and sets) and actually defined that glorious look that we generally associate with three-strip Technicolor films.
- Lightworks NLE – täysverinen ilmainen nonlineaarinen leikkausohjelma
Elokuvallisia huomioita maailmalta 5.10.2012 – 9.10.2012
Elokuvallisia huomioita maailmalta 5.10.2012 – 9.10.2012
- Tim Smith: The Attentional Theory of Cinematic Continuity (pdf) – The intention of most film editing is to create the impression of continuity by editing together discontinuous viewpoints. The techniques used to achieve this, the continuity editing rules are well established yet there exists an incomplete understanding of their cognitive foundations. In this essay I will present the Attentional Theory of Cinematic Continuity (AToCC). AToCC identifies the critical role visual attention plays in the perception of continuity across cuts and demonstrates how perceptual expectations can be matched across cuts without the need for a coherent representation of the depicted space. The theory explains several key elements of the continuity editing style including match-action, matched-exit/entrances, shot/reverse-shot, the 180° rule and point-of-view editing. AToCC formalizes insights about viewer cognition that have been latent in the filmmaking community for nearly a century and demonstrates how much vision science in general can learn from film.
- Podcast: David Simon, A.C. Thompson talk about fictionalizing a real Investigation into a Treme storyline – En ole kuunnellut, koska spoilerit ja Treme katsomatta ja ja ja
- My Novel, Their (German Film) Culture –
Elokuvallisia huomioita maailmalta 23.03.2012 – 24.03.2012
Elokuvallisia huomioita maailmalta 23.03.2012 – 24.03.2012
- Perceiving Edited Moving Images – Across all edits the probability that a blink occurred at the exact moment of an edit was very low (1.2%.)
- Twitter Not So Good At Predicting Box Office Revenues After All –
- A world away: John Carter vfx –


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