Avainsana: "matt+zoller+seitz"

Then I bring my crew in and we show them the scene we’ve worked out, like a little piece of theater. My crew is all around the room, and that’s when everybody knows what the game is. The props people, the set decorators, the sound guys — and then I start to discuss how to shoot it with Peter. At that point, it starts to make sense to me, and that’s when I start to think about how I’m going to cut it, and how much coverage I need and what I don’t need. In other words, it’s very non-storyboard-ish, because blocking the scene with the actors comes first, before I’m thinking of editing at all. Whereas with storyboards, you’re often doing all those things before you even have an actor cast, which to me is extremely the wrong way around.