- “Looking for False Performance Beats”: Editor Fred Raskin on The Hateful Eight – The shoot was unique in that there were certain sequences which needed to be filmed while snow was falling. So the cast always had to be prepared to shoot any scene at any time, because if they got snow, they’d be shooting one scene, while if they didn’t, they’d be shooting another. Because of this, the cast really needed to be off-book once the shoot began. Everyone knowing the script that well gave Quentin the ability to shoot eleven-minute long takes if he wanted to, which ended up being great for the performances — I was watching some terrific theatre on a daily basis — and also informed some of the editing choices. If we had an amazing master of a scene playing out in the 2.76:1 aspect ratio, why would we want to cut away from it?
- The Movie Mogul of the Middle –
- Levottomat, suullinen historia –
Elokuvallisia huomioita maailmalta 30.12.2015 – 7.01.2016
Elokuvallisia huomioita maailmalta 6.09.2014 – 12.09.2014
- Star Trek TOS in Cinerama – hauska idea
- Syyskuussa 2014 tulee teattereihin kaksi Pekka Lehdon elokuvaa – Kalle Kinnusen haastattelu –
- The Future of Practical Creature Effects –
- Are film tax credits cost effective? (Kinda not) –
- What Happens When You Accuse a Hollywood Director of Rape? –
- The Real Cliff Huxtable –
- Luc Besson on operating the camera while directing – Today I couldn’t direct watching a monitor 15 meters away from the actors. I’m incapable of doing that. I can’t imagine shooting any other way.
Elokuvallisia huomioita maailmalta 18.08.2014 – 22.08.2014
Elokuvallisia huomioita maailmalta 24.02.2014
- The Protector 2 -traileri – TONY JAA DON'T STOP BELIEVIN'
- How Harold Ramis’s movies have stayed funny for 25 years –
- Amerikkalaisen elokuvajulisteen pikkupräntin anatomia –
Elokuvallisia huomioita maailmalta 30.08.2013 – 2.09.2013
- Where Do Claire Danes’s Volcanic Performances Come From? –
- What is Al Pacino’s Next Big Move? – As we discuss The Godfather, the mention of Brando gets Pacino excited. “When you see him in A Streetcar Named Desire, somehow he’s bringing a stage performance to the screen. Something you can touch. It’s so exciting to watch! I’ve never seen anything on film by an actor like Marlon Brando in Streetcar on film. It’s like he cuts through the screen! It’s like he burns right through. And yet it’s got this poetry in it. Madness! Madness!”
- Paramount Has a Probem with Blu-Ray Extras – I’m sure this plan looked great from a studio marketing standpoint. “Let’s do something exciting to make our retail partners feel special.” But how about doing something to make your customers feel special?